The heads of the Serpentine, Secret Cinema, Glasgow International, the Young Vic and others on how they find fresh talent and new ideas
Hans Ulrich Obrist: I cant live without Instagram
Swiss-born curator, novelist and art historian and artistic director at the Serpentine Galleries. Since 2009, Obrist has held a top 10 spot in ArtReview publications annual listing of the art worlds 100 most powerful people .
I believe a lot in rituals. I get up very early every morning, around five or six oclock, and I always start the day by reading 15 minutes of Edouard Glissant, a poet, novelist and philosopher. I have every book he ever wrote at home and Ill just pick one and read.
For me, Glissants work is like a daily toolbox. He comes from Martinique, which is one of a string of islands[ attaining up the Lesser Antilles in the Caribbean Sea ]. A culture exchange takes place between these islands and yet they preserve their own identities. So Glissants work explores how we can engage with globalisation without falling into the trap of homogenisation. His volumes are an inspiration, particularly in this current climate of a lack of tolerance. Im always holding how we could develop exhibitions that embrace mondiality, which dont lead to separation but to dialogue, which build bridges.
After Glissant, I go operating, often in the park, because I love London parks. In this city, you can discover new things every day, even after living here for many years. Then its breakfast and the office. I read about 30 -4 0 magazines every month: all the art publishings through to London Review of Books , the New Yorker , the Economist , Scientific American . In my purse currently I have about 150 articles from the last 2 week; I cut them out and share them with friends. They often trigger something. For instance, many years ago I read about a group of 60 s architects who had questioned the masterplan, and about Yona Friedman, and this year he has actually built one of our summer houses at the Serpentine .
With social media, there are the ones I use for information and the ones I broadcast on. Twitter is both. With Facebook, I never genuinely use it actively, only to broadcast my interviews with artists on Facebook Live, or sometimes theyre on Periscope. Over the last six months, Ive also increasingly been using Snapchat. I follow some people I find inspiring, but I also broadcast cinemas, little performances by artists, short triggers, short poems.
I cant live without Instagram. I look at it a lot, about half an hour to an hour a day and then post. My handwriting project on Instagram is a protest against the disappearance of handwriting I post a handwritten note there every day. But I also find Instagram very inspiring. The diverse styles people use it is exciting whether its the artist Wolfgang Tillmans utilizing it for activism with his anti-Brexit posters, or Jennifer Higgie[ co-editor of Frieze magazine] who posts about a different extraordinary female artist every day, with a little text of biography so its really a protest against forgetting.
My absolute favourite account though is from Alice Rawsthorn, the design critic of the international New York Times . She structures her posts by week, so every week theres a new theme Design and Light or Design Household and each day theres a new post relating to such theme, so for example, there was a stunning lighthouse from 1750 for Design and Light. In a style, she came up with the rules of the game, to actually structure it by weeks, because most people have it as a daily thing. Im wholly obsessed by her Instagram its a fascinating vision of design that stimulates us look at the world differently.
I always have my best ideas in Sils Maria, a village in the Swiss mountains. Im from Switzerland and spent a lot of day there as small children. Now I go about once or twice a year. Theres something very magical about the place, the sunlight its almost at 2,000 metres altitude its glacial, it has big mountains. Most of my exhibition and volume notions Ive had there.
My favourite culture venue is actually an imaginary construct its the unrealised Fun Palace by the theatre director Joan Littlewood and the designer Cedric Price, who in the 60 s came up with this idea of a cultural centre bringing together all artistic disciplines, removing all silos. As a thought experiment, Im inspired by it every day. Unfortunately the Fun Palace was never constructed, but you can get a sense of Cedric Prices run by going to his amazing aviary created with Lord Snowdon at London Zoo. Its my favourite building in London.
Favourite Tv I mostly watch on demand, a lot of Netflix. Recently its been The Simpsons . I also like this exercise of looking at all the movies that a director has done like Tarantino going into breadth and depth at the same time.
My litmus test for new ideas I always ask myself: Is it urgent? I use that word often. IC